Dear members,

The CLMA is excited to introduce you to our new Director of Operations and Member Engagement, Midhat Mujaddid. She will replace Maddy Oliver, who will be departing the organisation at the end of September.

Read the brief here.

Dear Canadian Live Music Association member,

Each year, the CLMA’s federal budget submission reflects our unwavering commitment to advocating for the live music sector—amplifying your needs, your realities, and your vision for a thriving, sustainable industry. This year, our recommendations look different. That’s because this moment is different.

Read the full submission here.

Dear community member,

It remains a challenging time, but we have every reason to be optimistic.

The Canadian Live Music Association (CLMA) would like to thank you for your engagement with our #CanadaIsLiveMusic Election 2025 campaign.

April 10th, 2025 - Ottawa, Ontario — The world is witnessing seismic shifts in political climates, social tensions, growing concerns over safety, and dramatically escalating costs of living. Canadian touring artists and musicians are caught in the crosshairs.

Due to unforeseen circumstances, the Canadian Live Music Industry Awards (CLMIAs) will take a brief hiatus this year.

Read the submission here.

In an effort to meaningfully aid in the support of a robust Canadian response to the trade crisis, the CLMA has launched a public awareness campaign, #CanadaIsLiveMusic.

Read the full proposal here.

Read the full submission here.

For Immediate release -- Toronto, January 30^th, 2025 – Toronto, Canada --  The Canadian Live Music Association (CLMA) released findings of its long-anticipated economic impact study today, inside Massey Hall’s Allied Music Centre. 'Here and Now: understanding the economic power and potential of Canada’s live music industry” commissioned by the CLMA, was led by Nordicity, a leading strategic, policy, and economic analysis firm.

Pour diffusion immédiate – Toronto, 30 janvier 2025 – Toronto, Canada – L’Association canadienne de la musique sur scène (CLMA) a dévoilé les conclusions de sa très attendue étude d’impact économique aujourd’hui, entre les murs de l’Allied Music Centre du Massey Hall. « Écoute Active : comprendre la puissance économique et le potentiel de l’industrie de la musique live au Canada », une étude commandée par la CLMA, a été menée par Nordicity, une société de premier plan spécialisée dans l’analyse stratégique, politique et économique.

 In celebration of its 10th anniversary, the Canadian Live Music Association (CLMA) is pleased to announce the recipients of Setting the Stage, sponsored by RBC. Setting the Stage is a pilot program that provides micro grants to independent live music venues, promoters, and festivals, to support live performance and direct mentorship of local, emerging artists. 

The recipients (in alphabetic order) and their selected emerging artists are:

In celebration of its 10th anniversary, the Canadian Live Music Association (CLMA) is pleased to announce the launch of Setting the Stage, sponsored by RBC. Setting the Stage is a pilot program that will provide up to 10 micro grants of up to $3000 CAD each to CLMA members who are independent live music venues, promoters, or festivals, to support (at least) one live performance and direct mentorship of a local, emerging artist(s).

Dear CLMA family,

Did you know that….

…on November 7th, 2014, the Canadian Live Music Association was incorporated. Originally known as “Music Canada Live” until 2019, it was the summer of ’14 when a group of live music leaders got together and decided it was time. Time for the business to start telling its own story in its own way… the story of clubs and venues, of festivals, concert halls and arenas, the story of agents and suppliers… to, ultimately, put incredible artists on stage for passionate fans.

Today FACTOR and MUSICACTION announced the Promoter Program, a pilot program to invest further in the Canadian live sector.

This new program designed for Live Music Promoters will support the concert promotion activities that bring audiences to Canadian Artist shows and is a recognition of the essential nature of concert promoters in the development of Canadian artists’ careers.